Tomorrow, his third album, now featuring Onyeabor in a velvety double-breasted suit, begins to move away from the solid groove of Afrobeat towards something more diaphanous. The drums and bass loosely twine about Onyeabor and his female backup singers, their vocals unhurried, the organ squirreling in, out, above and around the rhythm. “Why Go to War” has what sounds like a Slinky threaded through an electric guitar and then nervously plucked, continuing Onyeabor’s mind being on both the smallest of affairs between man and woman and the mutually assured destruction of the world.